L Diaz

This long awaited book is a breath of fresh air for the die-hard renaissance costumier. Much of the book is devoted to offering the reader empirical evidence to support the reconstruction methods of these Tudor costumes. While the use of portraits in research in not so new, the combined use of portraits, extant articles of clothing, and up-close photographs of detailed carved monuments showing various styles of Tudor dress is impressive. The authors also make extensive use of primary documents, namely in the form of wills and household inventories. These go a long way to encourage accurate reproductions of Tudor clothing. The authors are keen to include clothing from all social classes, not just the nobility. There are many color photographs of portraits, actual extant artifacts, and reproduction garments.